Editorial & long-form
Magazine commissions, photo essays, brand journalism. Eight-to-thirty-two-frame stories. I work with one art director and one writer — no committees.
"I photograph the half-second before the room remembers it's being watched."
I grew up in a town outside St. Petersburg where film was something you ordered from a magazine. The cameras came in a wooden box, three weeks late, with the manual in three languages.
Today the studio is in Berlin-Mitte, sometimes Paris, sometimes Tokyo. I shoot on a Leica M11, a Mamiya 7, a phone borrowed from someone at lunch. The medium is never the point.
Magazine commissions, photo essays, brand journalism. Eight-to-thirty-two-frame stories. I work with one art director and one writer — no committees.
Brand campaigns, look-books, e-commerce. Up to twelve shoot days per quarter. Studio in Mitte, on-location anywhere. I bring two assistants and a stylist.
For people who don't want a wedding photographer. One afternoon, one location, twelve final frames in archival print. By application only — five per year.
Ilya is the rare photographer who comes into a room and somehow turns the volume down. The images arrive a week later, and you realise he was the only one paying full attention.
Twelve archival prints per year — fifty editions each, signed and numbered. Plus four longer letters about what I'm reading, watching and shooting.
One email a day to studio@ilyavolkov.com — Madeleine reads each, replies within 48 hours. We don't take more than four commissions a month.
Email · studio studio@ilyavolkov.com